Needless to say, it was hard to glean any of these alleged meanings from the works themselves. Rather, they could be discovered only from the descriptions on the wall, which read like the everything-is-connected code-breaking ravings of an overeducated cabal convinced that a hidden semiotic language of resistance lies below everyday objects, camera angles, orientations, and gestures made so very many times before.
Much to agree with, much more to be bemused by.