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Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

New book traces humankind's 14-billion-year journey

I really want to like this but I fear ("Inspired by genetic pioneer Sydney Brenner") that it will not contain enough of Brenner's genius.

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

"Are podcasts a wasteland? (with a post script about Kurt Wagner) | CultureBy – Grant McCracken"

Just as desktop publishing didn't turn everyone into even a half-decent designer, so the democratisation of "radio" doesn't turn everyone into even a half-decent producer.

PESOS from Reading.am.

Jeremy Cherfas

How to download all of your Flickr photos (and metadata)

tl;dr: It couldn't be simpler. What to do with all that, however, is the bigger question.

Jeremy Cherfas

Jeremy Cherfas

The Garden and the Stream: A Technopastoral | Hapgood

So good.

Your machine is a library not a publication device. You have copies of documents is there that you control directly, that you can annotate, change, add links to, summarize, and this is because the memex is a tool to think with, not a tool to publish with.

Everybody wants to play in the Stream, but no one wants to build the Garden.

 

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Three things about Readers during IndieWebCamp Nürnberg

I watched some of this magic happening, and it was ... Magical. There are so many good things happening in ReaderLand these days.

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

"Our Hidden Wound | The Contrary Farmer"

On World Food Day, so delighted to see this piece from Gene Logsden pop up in my feed.

https://thecontraryfarmer.wordpress.com/2018/10/15/our-hidden-wound-2/

 

Jeremy Cherfas

Jeremy Cherfas

On Cash, in which a busker prompts Tim Bray to reassess his priorities

What hap­pened was, I was walk­ing through a train sta­tion on the way to work with the buds play­ing ran­dom­ly on shuf­fle and a knifeblade of Real Mu­sic came in from out­side so I had to pull them out of my ears, there was this young dude get­ting great elec­tric sound out of a tee­ny amp do­ing a slow take on Lit­tle Wing with a re­al­ly good voice: When I’m sad, she comes to me… plen­ty room be­tween the notes and lots of soul in them. He looked a lit­tle hard-pressed; I put my hand in my pock­et for some coin but there was no coin there be­cause I live on plas­tic these days and that busker went un­paid that morn­ing. Another rea­son for a thing I’m think­ing of: Go­ing back to cash.

PESOS from Reading.am.

Jeremy Cherfas

Squalid London - Craig Murray

I read it, I note that I am unsurprised, and I move on. That is what is wrong with me.

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Jeremy Cherfas

Cornell's Brian Wansink: A Crisis in Food Science

Not the most important point in the article, but an important point:

Wansink’s sense for harnessing buzz may have been a skill in the wrong domain. He’s a camera-friendly performer who might’ve done very well as a Bill Nye– or Neil deGrasse Tyson–type infotainer, in an industry where simplification to build a compelling narrative is not a bug but a feature, given the explicit mission to deliver an attention-grabbing-and-holding product to an audience.

Jeremy Cherfas

Jeremy Cherfas