Jeremy Cherfas

More good help from Manton, cleverdevil and others, but alas no nearer (although I may have eliminated some possibilities).

1. I was allowing both HTTP and HTTPS. There could have been some kind of mismatch, I suppose, but after editing .htaccess to force SSL, it made no difference to micro.blog's OS X app.
2. Then thought that possibly a different endpoint would help (despite the fact that I know all the same details are on the home page). 
3. Pointed micro.blog first at /profile and then at /profile/jeremy; still no good.

At this stage, given that Manton managed to get everything working from a clean install of Known out of the box, I think I need to try the same. If that works, well, if nothing else, it works.

I had been fretting about losing data, but if I install into a new sub-domain and it works there, I can always edit the config.ini to point back at the old database. It will be a good opportunity to see how good the instructions are to install at Dreamhost. Last time I managed without any instructions, and I also didn't write up my experiences. This could be an opportunity to pay back.

#indieweb

Finally reached a key milestone in the deliverables of a big work-for-money, so was able to treat myself to an excellent video from the [IndieWebSummit 2017](https://2017.indieweb.org).

First up, for me, [Lillian Karabaic](http://anomalily.net) offering [A brief history of my website](https://www.youtube.com/watch?v=1VGX8iBWrTE&index=4&list=PLk3TtIJ31hqrLIPqz55TczawWu-30cnXM). I noted a few things.

First, the video, audio and editing were top notch. Huge kudos to everyone who made this happen. They say content trumps technical quality, and it does, but when you're not fighting quality, the value of the content is so much more obvious.

Second, and much more important, Lillian's trajectory mirrors my own and, not surprisingly, I can relate strongly to everything she said -- good and bad -- about the #indieweb. The help available is stellar, the documentation isn't great (I hope to work on that) and it is hard to evangelise.

So much left to do ...

Dave Winer offers [three reasons why he will not point to a Facebook post](http://scripting.com/2017/05/31.html#a110526)

No. 2 is my favourite:

> It's supporting their downgrading and killing the web. Your post sucks because it doesn't contain links, styling, and you can't enclose a podcast if you want. The more people post there, the more the web dies. I'm sorry no matter how good your idea is fuck you I won't help you and Facebook kill the open web.

Nick Quah's Hot Pod newsletter is a lode from which I occasionally extract a nugget. [Today](http://us12.campaign-archive1.com/?u=e7175619f87bd6b29429572aa&id=732cf5e4b1&e=07840946c7), in the wake of the latest Edison Report on podcast listening (in the US) he quotes a bloke from Audible who says:

> To me, the fact that 40% of US adults have tried podcasting, yet only half of them listen regularly, that's astounding. Show me any other medium that has that gap. None. When people sample and don't habituate, it speaks to interest that isn't being met by the content that's available today. There either isn't enough variety of things for people to listen to —or there isn't enough of what they like to meet their appetite. With 350,000 podcasts, that seems like a strange thing to say, but the simple truth is that potential listeners aren't sticking with it — and there are only two potential reasons: not enough good stuff — or they simply can't find it. Solving this could go as far as doubling the audience for podcasting.

I wonder why "Eric Nuzum, Audible’s SVP of Original Content," even bothers to raise the straw man of not enough content. And why he does not raise the question that discovery and subscription are two sides of the same coin. Right now, neither discovery nor subscription is easy.

Nick Quah himself doesn't think discovery is a problem, and that's a problem for me. He says:

> It has always occurred to me that discovery functions in the podcasting space along the same dynamics as the rest of the internet; there is simply so much stuff out there, and so the problem isn’t the discovering an experience in and of itself — it’s discovering a worthwhile or meaningful experience within a universe of deeply suboptimal experiences.

But to me that seems to miss the essential difference between audio and the other things on the internet.

It is hard to get audio at a glance. And the solution is not to make ever shorter bits of attention-grabbing audio. It is to find other ways to recommend and share audio in ways that make it easy to hear a piece, to sample a show and eventually, maybe, to subscribe.